Oscars 2025: The Nominated Films for Best Cinematography

The magic of cinema is not only in the story it tells but in how it is visually presented. Each year, the Oscars honor Best Cinematography, recognizing cinematographers who captivate audiences through the use of light, color, and cinema lenses. Discover which films are competing in this category and what techniques they used to achieve their stunning visuals.

The Nominees for Best Cinematography at the Oscars 2025

"Nosferatu" - Jarin Blaschke

The classic horror story returns with a chilling atmosphere thanks to Jarin Blaschke. To achieve its gothic and expressionist style, Arricam LT and Arricam ST cameras were used along with Panavision Ultra High Speed, Bausch & Lomb Baltar, Goerz Dagor, and Pathe Tessar lenses. The combination of these optics gave the film a unique look, evoking silent-era cinema with modern cinematic quality.

IMDB: Nosferatu

"Maria" - Edward Lachman ASC

Veteran cinematographer Edward Lachman delivers a classic and poetic visual style in "Maria." Using Aaton LTR, Arricam ST, and Arriflex 416 cameras along with Cooke Varokinetal, Zero Optik Bausch & Lomb Ultra Baltar, and Canon K35 lenses, he creates a nostalgic look that transports the audience to another era.

IMDB: Maria

"Emilia Pérez" - Paul Guilhaume AFC

With a vibrant visual palette and a modern approach, Paul Guilhaume utilizes Arri Alexa Mini, Red Komodo, and Sony Venice 2 cameras. The Tribe7 Blackwing7, Arri Signature Prime, Angénieux EZ-1 and EZ-2, Optimo Ultra, and Arri/Zeiss Standard Primes lenses provide a cinematic texture that enhances every detail of the film.

IMDB: Emilia Pérez

"Dune: Part 2" - Greig Fraser ASC ACS

Greig Fraser elevates science fiction with his cinematography in "Dune: Part 2." Using Arri Alexa 65, Arri Alexa LF, and Arri Alexa Mini LF cameras along with Arri Rental Moviecam, Arri Prime DNA, IronGlass Helios, Jupiter, Mir, Optica Elite, and Zero Optik Rokkor lenses, he creates an immersive world with an impressive visual scale.

IMDB: Dune: Part 2

"The Brutalist" - Lol Crawley BSC

Lol Crawley opts for a sober and elegant cinematographic style in "The Brutalist." Using Arricam LT, Arricam ST, Arri 235, Arri 435, and Beaumont VistaVision cameras along with Cooke S4 and Leica R lenses, he achieves an aesthetic that balances the classic with the contemporary.

IMDB: The Brutalist

The Importance of Cinematography at the Oscars

The Best Cinematography award not only highlights the visual beauty of a film but also how each technical choice influences storytelling. From cinema lenses to lighting, every element helps build the atmosphere and move the audience emotionally.

Which of these films will take home the award? The answer will be revealed at the Oscars ceremony, but one thing is certain: each nominee has demonstrated the power of cinema through outstanding cinematography.